Su San Cohn: Robotics for Purpose
read here
Iris of the Beholder: Iris Van Herpen
read here
Kim Gordon – Glitter and Noise
read here
AI: Artificial Imagination – No Threat to Serwah Attafuah
read here
Jenny Holzer: Sign of the Times
read here
Sarah Lucas: In Conversation With Dr Laini Burton
read here
Michael Zavros: The Best or Nothing
read here
Roman Coppola on Nostalgia and Legacy
read here
Brian Robinson: Lines in the Stars
read here
Pied Beauty: The Paintings of Emma McIntyre
read here
Timo Hogan
read here
Julie Fragar: The Painting and the Photograph
read here
Highway to Tiger: Tiger Yaltangki
read here
Forecast: Samara Adamson-Pinczewski
read here
Collector Profile: Matthias Arndt & Tiffany Wood-Arndt
read here
Force from History: Yvette Coppersmith
read here
The Warhol Lens
read here
Catalyst: Peter Booth
read here
Shireen Taweel: The Sacred and the Profane
read here
Kiki Smith: Turning Over, and Over, and Over, and Over
read here
Gordon Hookey: A Murriality
read here
Catherine Woo: A natural touch
read here
Art and Artificial Intelligence
read here
Q&A: Adrián Villar Rojas
read here
Rineke Dijkstra
read here
Helmut Newton
read here
Paul Yore
read here
Michelle Ussher
read here
Material Boy: Jordan Gogos
read here
Huma Bhabha
read here
Art Outsiders: Outside Voices
read here
The Body Electric: Images of Desire
read here
Nuance & Negligence: What do We do When Morality and Art Collide?
read here
Spoiler Alert: On Instagram and the Art World
read here
Naked By the Window: Mythologising the Highs, Lows, Lives and Deaths of Artists
read here
Melbourne’s Public Art: From Burke and Wills with AC/DC
read here
The (Near) Death of Painting at Art School
read here
Pablo Picasso, Weeping woman, 1937.
National Gallery of Victoria, Melbourne
read here
Alexander McQueen: Mind, Mythos, Muse
read here
Vivienne Binns: On and through the Surface
read here
Curating Biennials and Triennials: Spectatorship, Community and the Digita
read here
Miranda Skoczek
read here
Margins: Chanel Crossing
read here
Heather B. Swann: Poised Containment
read here
Non-Fungible Tokens: The Future is Here
read here
Jamie North: Peering Through the Cracks
read here
Catalyst: Rosalie Gascoigne
read here
In Focus: Ackroyd & Harvey
read here
Zadie Xa: Connecting Time and Space
read here
On being alone, not Lonely: The Solitude of Roni Horn
read here
Nicole Eisenman: Myths and Misconceptions
read here
Louise Bonnet: Grotesque Beauty
read here
Sally Smart: Piece by Piece
read here
Danie Mellor: The Deep Time of Now
read here
Tom Polo: Hidden Figures
read here
Object: Kirsten Coelho Ithaca
read here
Brook Andrew: Civil Liberties
read here
David Goldblatt: Review
read here
Tschabalala Self: Bodily Pleasures
read here
Q&A: PHOTO 2021
read here
Amos Gebhardt: Of Care and Kin
read here
ESSAY: Viewing Art in the Time of COVID-19
read here
The Body Electric: Images of Desire
read here
Hayley Millar-Baker: A Storyteller
read here
TERMINUS at Heide Museum of Modern Art
read here
Sydney Contemporary:
A constructive criticality
read here
JAPAN SUPERNATURAL: Takashi Murakami and his scary monsters
read here
Art Outsiders: Outside Voices
read here
Q&A: CEO and Director of Art Fairs Australia Barry Keldoulis
read here
Q&A with
Fiona Sweet
read here
Nina Chanel Abney Eyes: To the Front
read here
Ross Taylor
A Holiday in Dystopia
read here
Feature
SODA_JERK: Rewriting Fact with Fiction
read here
Feature
Reloading the Canon – Why it’s time to acknowledge forgotten female artists
read here
Review
Arlo Mountford – Deep Revolt
read here
Urs Fischer
at the National Gallery
of Australia
read here
Feature
Next Generation Art Spaces
read here
Waves of Light
at Tolarno Galleries
read here
The 9th Asia Pacific Triennial of Contemporary Art
at QAGOMA
read here
Nuance & Negligence: What do We do When Morality and Art Collide?
read here
Ronnie van Hout: The Comedian
read here
Visible
at Sullivan+Strumpf, Sydney
read here
Remain in Light
at Galerie pompom
read here
Andrew Hazewinkel
Jackalope Hotel
read here
Polly Borland
What Polly did next..
read here
Youjia Lu & Jake Treacy
RIFTS: Particulate Matter
Melbourne Art Fair: Special Feature
alongside Australian Centre for Contemporary Art
Timo Hogan
read here
Spoiler Alert: On Instagram and the Art World
read here
Christian Thompson: Speaking in Tongues
read here
Julie Fragar: The Painting and the Photograph
read here
Highway to Tiger: Tiger Yaltangki
read here
Forecast: Samara Adamson-Pinczewski
read here
Collector Profile: Matthias Arndt & Tiffany Wood-Arndt
read here
Force from History: Yvette Coppersmith
read here
The Warhol Lens
read here
Catalyst: Peter Booth
read here
Shireen Taweel: The Sacred and the Profane
read here
Kiki Smith: Turning Over, and Over, and Over, and Over
read here
Naked By the Window: Mythologising the Highs, Lows, Lives and Deaths of Artists
read here
Gordon Hookey: A Murriality
read here
Catherine Woo: A natural touch
read here
Art and Artificial Intelligence
read here
Q&A: Adrián Villar Rojas
read here
Melbourne’s Public Art: From Burke and Wills with AC/DC
read here
Rineke Dijkstra
read here
Helmut Newton
read here
The (Near) Death of Painting at Art School
read here
Paul Yore
read here
Michelle Ussher
read here
Material Boy: Jordan Gogos
read here
Huma Bhabha
read here
